"Immediately bringing to mind Siouxsie Sioux’s post-punk yowls. . . [Trinity] proved handily that she is not just another pretty face, with lyrics that were almost confrontationally intimate."
- Dan Powell, Editor The Guardsman
"Rock and Roll Theater: Trinity. . . of local band Out Damned Spot sings with a sensuous alto voice projected with that singular Broadway vibrato, but no further comparison should be made to musicals à la The Phantom of the Opera. ODS sound more like the down-and-dirty Hedwig and the Angry Inch, replete with distorted buzz saw guitar, pounding drums, pulsating bass, and moments of sweet, sweet melody straight out of the garage. Join them as they perform originals and the complete score of Sweeney Todd: The Demon Barber of Fleet Street. Well, in truth, there's no Sondheim, but they rock more than enough for anyone not named Elvis."
- Alex Fong, San Francisco Bay Guardian
"The group hits all the right notes — throaty, powerhouse female vocals; melodic guitar builds and emotive solos; and peppy rock drumming. . ."
- Whitney Phaneuf, East Bay Express
Out Damned Spot began as an independent study project in the sound recording program at City College of San Francisco. The director of the Sound Recording Arts program, Terri Winston, suggested that Anthony and Trinity work together and that they enlist Andrew, another recording student, on drums. Justin, the bassist for the band, was found through a Craigslist post. He was the only person the group auditioned and they immediately found that their diverse musical influences melded into a unique sound that was difficult to classify.
In addition to singing, songwriting, and co-production; Trinity provided all the graphic and web design for the group. This long term collaboration was a life-changing experience that enriched both Trinity's musical understanding and her empathy.
The band was most prolific between late 2004-2008, eventually splitting in early 2013.
"Butcher Boy is a traditional folk song. It married thematically to our original songs and gave a lovely and sad transition into Undeserving. I really appreciated how the pairing bridged the pain within the stories of each song." - Trinity